
ELIZABETH STOYANOVICH
Conductor, Educator, Music Director and Student
What is your professional background?
I’m a professional musician and veteran teacher
with 35 years of experience as a conductor and educator. I have worked on the staff
with prominent orchestras such as The Cincinnati Symphony, the Pacific Symphony
Orchestra and taught in education programs for K-12 and college in public, charter and
arts magnet schools including Palisades Charter Highs School and Colburn Academy in
LA. I have three degrees from the University of Michigan: Master of Music in
Conducting, Master of Music in Oboe Performance and Bachelor of Music Education
Instrumental, I was a fellow at the Tanglewood Music Center and studied conducting
with Leonard Bernstein at the American Academy of Music in France. Thru music
performance, I have traveled extensively performing in Europe, Canada and the US. My
interest has always been to engage musicians so that the intentions of composer’s can
be shared with the global community at-large. With a particular interest in
contemporary music, I have helped bring to life many new compositions and premiere
performances as a player and conductor of the works primarily of my husband, Patrick
Stoyanovich, who is a professional composer and pianist. I believe that music can bridge
gaps in culture and diversity if we learn the vocabulary of each other’s musical language
and listen and appreciate one another.
Professional Background
Why did you choose to pursue this program?
I have always considered myself as a life-
long learner and student. Often times, when introducing myself at the beginning of a
semester I tell my students that I hope not a day goes by without all of us learning
something new- which I truly believe. Years ago, I was accepted to study at Indiana
University at Bloomington, but at the time they would not offer any scholarship
assistance. I had been out working for about 2 years after my last Master’s and did not
have the resources to pay full tuition. At the same time, I auditioned for the Central
Kentucky Youth Orchestra Music Director position and won the job. Having to choose
between making a modest living or going into debt, I chose to work. That path took me
me to many wonderful musical and educational experiences ultimately to where I am
today. Prior to Covid, I took classes online thru the UCLA to receive my CTE
endorsement and since Covid and teaching online for about two years, I began thinking
more and more about returning to the classroom myself, not just to teach and conduct,
but to learn more about the educational process. Though I am fortunate to teach and
work with students and families that are by and large comfortable economically, I still
am intrigued about the process that students’ go thru to acquire information. Music is a
field where we spend a great deal of time by ourselves analyzing our playing, dissecting
small details, building thru repetition and sheer work while learning new forms of
patience. As an artist I was drawn to music because of its beauty and expressive quality,
but as I was educated, I learned even more about the construction of music and
appreciation of it at a very deep level. The discipline of musical artistic growth has not
changed, but the type of student in today’s classroom is much different. I am interested
in pursuing this degree to better understand the current process of learning so that I can
offer my students the best possible environment to grow as human beings in my
classroom.
Pursuing this program

What are your personal and professional goals?
My husband, Patrick and I, have two
daughters: Antonia who is a professional photographer the Director of Peter Fetterman
Studio in Santa Monica and Sophia who is beginning her Doctoral in Violin Performance
at City University of New York. My interest is to continue emotionally and
psychologically supporting all of the artists in my family as they grow and share their
talents with this world. We are fortunate as a family to be very close personally and to
share in each other’s triumphants and disasters. Often times, when I am working with
families in my programs, they ask me “how did you get your kids to practice, or study?”
My answer is always the same- “ …you continue to be part of their lives from inception
thru every part of their days as much as you can. Together you figure out their task,
how to accomplish it, then you tell them your expectations and you make sure they
accomplish what was set out at the onset”. People think that at x age they can “stop”
parenting- which is simply not true, parenting just takes on a different form of support.
It can mean taking a kid to day care, making them complete their music theory over the
summer months or listening to them on the phone when they are emotionally hurting
and in despair. The biggest mistake I see is that parents want to walk away from their
job at a certain point to ‘live their own life”. I don’t see it that way, personal goals mean
that I am invested in my immediate families’ future as well as my own and I find a way
to set examples and balance time to make these dreams and desires to come true.
My professional goals include: growing the orchestral program at Pali especially thru
recruiting young string players before they enter high school, seeking funding to build
the new VAPA performance complex at Pali, expanding the ensembles at Colburn
including the Wind Ensemble and Concert Band- adding a chamber program and
intermixing with the orchestra program, seeking performance networking in the greater
LA area including collaborations with new music and premiers and of course- completing
my USC Doctoral in Education program on time!